Korg Kronos 3 88

Najväčšia ikona pódia sa vracia na scénu

Od svojho debutu v roku 2011 sa prelomový KRONOS teší obrovskej popularite medzi hudobníkmi z celého sveta a neustále sa vyvíja prostredníctvom aktualizácií modelov a neustálych inovácií, najmä vďaka spätnej väzbe od profesionálnych používateľov, ktorí KRONOS používajú na najväčších svetových pódiách a v najznámejších svetových štúdiách.

Vďaka svojmu postaveniu ideálneho všestranného nástroja pre profesionálov a ambicióznych amatérskych hudobníkov KRONOS opakovane stanovil nové štandardy z hľadiska výkonu, sily a všestrannosti.

Teraz je KRONOS na základe veľkého záujmu komunity hudobníkov späť - s novým vzhľadom, vylepšenými funkciami a pripravený zaujať svoje právoplatné miesto v centre pozornosti. Vďaka intuitívnym možnostiam ovládania, prístupu k viac ako 300 voliteľným zvukovým knižniciam a celej kolekcii exkluzívnych funkcií bol nový KRONOS navrhnutý tak, aby nanovo definoval možnosti na pódiu a v štúdiu.

Nové zvuky, neprekonateľná expresívnosť

Popri tisíckach predinštalovaných zvukových programov a kombinácií prináša nový KRONOS navyše 256 nových zvukov, starostlivo navrhnutých pre podporu hudobnej kreativity. Medzi nimi vyniká 128 úplne nových programov, vrátane ohromujúceho talianskeho koncertného klavíra s krištáľovo čistým zvukom a autentickej simulácie elektrického piana „Tine EP I Early“ s charakteristickým tónom úderu na kovovú tyčinku.

Zjednodušené ovládanie, maximálna intuitívnosť

Operačný systém KRONOS-u bol v priebehu generácií neustále zdokonaľovaný, aby poskytoval výkonné, no zároveň prirodzené a intuitívne rozhranie. Jeho usporiadanie s ôsmimi otočnými ovládačmi, deviatimi posuvnými fadermi a množstvom ďalších ovládacích prvkov umožňuje hudobníkom sústrediť sa na tvorbu a intuitívne hrať.

Farebný dotykový displej TouchView

Srdcom KRONOS-u je veľký 8-palcový (800 × 600 pixelov) farebný dotykový SVGA TouchView displej.

Okrem bežného výberu zvukov či parametrov dotykom prsta ponúka aj pokročilú funkciu Touch-Drag, vďaka ktorej môžete presne nastavovať hodnoty parametrov. Interaktívna grafika nástrojov a panelov umožňuje upravovať detaily ako výšku otvorenia veka koncertného klavíra či prepájanie káblov v semi-modulárnom syntetizátore.

Obsahuje novú funkciu vyhľadávania, ktorá umožňuje pohodlne vyhľadávať a skúšať zvuky podľa názvu. 9 samostatných zvukových enginov

Každý z deviatich zvukových enginov KRONOS-u je schopný fungovaať samostatne ako plnohodnotný syntetizátor. Každý predstavuje technologickú špičku v oblasti generovania konkrétneho typu zvuku. Precízne programovacie možnosti, reálne ovládacie prvky, integrované efekty a modulárne routovanie umožňujú detailné úpravy aj pre náročných sound dizajnérov.

Rafinovaný dizajn, okamžité reakcie

Hoci si KRONOS zachováva svoje charakteristické funkcie, jeho štvrtá generácia prináša niekoľko decentných, no pôsobivých vylepšení. Telo z práškovo lakovaného kovu zabezpečuje vysokú odolnosť a prémiový pocit pri dotyku, zatiaľ čo čierne bočné panely z dreva dodávajú nástroju elegantný vzhľad.

Vďaka novej architektúre systému sa čas spustenia zrýchlil o 60 %, čím sa výrazne skracuje čakacia doba. V kombinácii s vylepšeným TouchView displejom KRONOS ponúka okamžitú a plynulú odozvu, ktorá zaručuje prirodzený a pohotový používateľský zážitok.

Kronos 3 technické špecifikácie

Klaviatúra

• 88 key: RH4 (Real Weighted Hammer Action 3)
• 73 key: RH4 (Real Weighted Hammer Action 3)
• 61 key: Natural Touch Semi Weighted

Zvukový generátor

Typy syntéz 9

• SGX-2: Premium Piano (Acoustic Piano)
• EP-1: MDS Electric Piano (Electric Piano)
• HD-1: High Definition Synthesizer (PCM)
• AL-1: Analog Synthesizer (Analog Modeling)
• CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
• STR-1: Plucked Strings (Physical Modeling)
• MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
• MS-20EX: Component Modeling Technology (Analog Modeling)
• PolysixEX: Component Modeling Technology (CMT Analog Modeling)

Maximálna polyfónia

• SGX-2: 100 voices (100 dual-stereo notes, equivalent to 400 mono voices)
• EP-1: 104 voices
• HD-1: 140 voices
• AL-1: 80 voices
• CX-3: 200 voices
• STR-1: 40 voices
• MOD-7: 52 voices
• MS-20EX: 40 voices
• PolysixEX: 180 voices

• 1: Polyfónia môže byť znížená pri efektoch náročných na procesor.
• 2: KRONOS dynamicky prideľuje výpočtový výkon medzi hlasy a efekty.
• 3: SGX-2 má 100 duálnych stereo tónov (ekvivalent 400 mono hlasov)

Preset PCM 314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)

Integrované rozširujúce PCM knižnice

• EXs1: ROM Expansion
• EXs2: Concert Grand Piano
• EXs3: Brass & Woodwinds
• EXs4: Vintage Keyboards
• EXs5: ROM Expansion 2
• EXs6: German D Piano
• EXs7: Japanese C Piano
• EXs8: Rock Ambience Drums
• EXs9: Jazz Ambience Drums
• EXs17: SGX-2 Berlin D Piano
• EXs18: Korg EXs Collections
• EXs22: SGX-2 Italian F Piano LE
• EXs23: 2 Church Pianos
• EXs206: A2D 10 Selections
• EXs207: Bolder 10 Selections
• EXs208: K-Sounds 10 Selections
• EXs209: KApro 10 Selections
• EXs210: KARO 10 Selections
• EXs211: Kelfar 10 Selections
• EXs212: Kid Nepro 10 Selections
• EXs213: PCreek 10 Selections Vol.1
• EXs214: PCreek 10 Selections Vol.2
• EXs215: Q Up Arts 10 Selections
• EXs216: Soundiron 10 Selections
• EXs217: SOP 10 Selections
• EXs218: Irish Acts 10 Selections

Kapacita PCM RAM

Approx: 3GB *4: Voľná pamäť pre režim vzorkovania sa môže líšiť v závislosti od použitia rozširujúcich knižníc PCM a užívateľských vzorkovacích bánk. Pri továrenských nastaveniach je k dispozícii približne 760 MB (pri načítaní súboru s názvom „PRELOAD.KSC“).

Wave Sequences

Pamäť: 598 užívateľských pamäťových miest, 207 prednastavených

Podporuje stereo multisamples, synchronizáciu jednotlivých tónov a nastavenia založené na tempe.

SGX-2 Program

Premium Piano

Virtual Memory Technology (VMT) plays large samples directly from the internal SSD

Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.

Damper resonance and mechanical noise are reproduced.

Modeled String Resonance.

Una Corda sample support.

PCM

• EXs6: SGX-1 German D Piano
• EXs7: SGX-1 Japanese C Piano
• EXs12: SGX-1 Austrian D Piano (Option Sound libraries)

8 velocity levels, no Una Corda samples

EXs17: Berlin D Piano, 12 velocity levels, includes Una Corda samples.

Piano Type 80 (With factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)

Oscillator Control

Damper Resonance, Damper Noise, Mechanical Noise, Note Release, String Resonance, Una Corda

EP-1 Program

MDS Electric Piano

Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

Electric Piano Model Types 7 Types: Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP 200, Reed EP 200A

Oscillator Control

Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control

Tine Type, Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Reed Type, Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Effect Types 9 Types: Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, Vox Wah

HD-1 Program

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure

Single: only OSC1, Double: OSC1 and OSC2.

Double mode allows layering two completely separate synth voices with their own settings.

Oscillators

Virtual Memory Technology (VMT) plays large samples directly from the internal SSD. 8 velocity zones per oscillator, with switching, crossfades, and layering.

Filters

Two multi-mode filters per voice (low-pass, high-pass, band-pass, band-reject), Four-mode filter routings (single, serial, parallel, and 24dB mode).

Driver

Per voice non-linear driver and low boost circuit.

EQ

Three bands, with sweepable mid.

Modulation

Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers.

EXi Program Common

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation

Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EQ

Three bands, with sweepable mid.

AL-1 Program

Oscillators

Ultra-low-aliasing oscillators

OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input

External audio can be processed through the ring modulator, filter, driver, amp, and EQ

Filters

Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),

Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver

Per-voice non-linear driver and low boost circuit

Modulation

Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.

CX-3 Program

Tonewheel Organ Modeling

Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode

Four additional, user-specified drawbars, and expanded percussion.

Internal Effects

Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control

Controlled via nine front-panel sliders (via Tone Adjust)

Split

Upper, Lower (even in EX mode)

Modulation

Two AMS mixers

STR-1 Program

Physically Modelled String

Includes physically modelled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.

Most string parameters can be controlled in realtime.

String Excitation

Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

PCM Oscillator:

Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator;

Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.

Supports Virtual Memory.

Excitation Filter

Dedicated 2-pole multimode filter for shaping the string excitation.

Filter can be enabled/disabled separately for each excitation source.

Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback

Run real-time audio through the string, including feedback through effects.

Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Filters

Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes

Multi Filter Mode (Filter A only).

Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

MOD-7 Program

Waveshaping VPM Synthesizer

Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators 6 VPM/Waveshaper/Ring Modulation Oscillators:

Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset.

Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

PCM Oscillator:

Korg’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.

Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

Audio input

Run real-time audio through the VPM Oscillators and filters.

Filters

Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)

Two types of filter looping (Parallel and 24 dB “4-Pole”)

Multi Filter mode (Filter A only):

Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel

Supports both preset algorithm (78 types) selection and free patching.

Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.

Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

MS-20EX Program

Oscillators

Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input

Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters 12dB/octave High Pass and Low Pass self-resonant filters

ESP section: 24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel

Patchable audio and modulation, at audio rates

PolysixEX Program

Oscillators

VCO:

Saw, Pulse, PWM

Sub Oscillator:

Off, 1 octave below, 2 octaves below

Filter 24dB (4-Pole) Octave Low Pass self-resonant filter

Effects

Integrated Polysix Chorus, Phaser, and Ensemble

Arpeggiator

Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation

• Polysix: Original ADSR EG and MG (with MIDI sync).
• KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality 16 Maximum

Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices

The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit

System

Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs 2,560 (2,176 [1,152 HD-1+1,024 EXi] come preloaded)

User Memory Combinations 1,792 (768 come preloaded)

User Memory Drum Kits 264 (80 come preloaded) 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots 128 set lists, 128 slots per set list

Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.

Transpose setting.

Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

Sampling

System

Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency

• RAM: 16-bit/48 kHz stereo/mono sampling
• DISK: 16 or 24-bit/48 kHz

Sampling Time

• RAM: Depends on the amount of available PCM RAM
• DISK: Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations 16,000 samples/4,000 multisamples (128 indexes per multisample)

Ripping

Direct sampling (ripping) from audio CD (CD-DA)

Formats

Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing

Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects 12

Stereo in / stereo out

Master Effects 2

Stereo in / stereo out

Total Effects 2

Stereo in / stereo out

Timbre EQ

One 3-band EQ for each timbre/track

Effect Types 197

Modulation

Dynamic Modulation and Common LFO

Effects Control Busses

Stereo side-chaining for compressors, gates, vocoders, etc.

Effect Presets

Total 783 preset, Maximum 32 per 1 effect (Preset User)

KARMA

KARMA Modules

One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE) 2,048 presets, 1,536 Users (96 come Preload)

Controllers

On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scenes [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

Drum Track Patterns 718 preset (common with the preset patterns of the MIDI sequencer) 1,000 user patterns

Patterns created in Sequencer mode can be converted to drum track user patterns.

Trigger Mode/Sync/Zone settings can be specified.

Sequencer/HDR

Tracks 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs 200 songs

Resolution 1/480

Tempo 40.00 – 300.00 (1/100 BPM resolution)

Maximum Memory 400,000 MIDI events or 300,000 audio events

MIDI Tracks 16 tracks plus the master track 718 preset/100 user patterns (per song) 18 preset/16 user template songs

Audio Tracks 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.

Other Functions

RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function

General

Disk Mode

Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controllers

Vector joystick, joystick, ribbon controller, switches 1 & 2

Control Surface

Control Assign Switches:

Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,

Tone Adjust/EQ

Mixer Knobs Switch:

Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

KARMA Control

On/Off, Latch, Module Control

DRUM TRACK:

On/Off

Display

TouchView graphical user interface 8 inch color TFT, SVGA (800x600 dots), adjustable brightness

Outputs

Analog (MAIN) L/MONO, R: 1/4” TRS Balanced

• Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
• Nominal Level: +4.0 dBu,
• Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)

MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R

Individual 1-4: 1/4” TRS Balanced

• Output Impedance: 350 Ω Stereo; 175 Ω Mono,
• Nominal Level: +4.0 dBu,
• Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)

Headphones: 1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),

MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

Digital

S/P DIF:

Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)

Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R

USB-B: 24-bit, Sample Rate: 48 kHz, 2 channels (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs

Analog

Audio Inputs 1 and 2: 1/4” TRS Balanced

MIC/LINE input level switches, LEVEL knobs

• Input Impedance: 10 kΩ
• Nominal Level: LINE

+4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)

Nominal Level: MIC –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)

Maximum Level: LINE +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)

Maximum Level: MIC -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)

• Source Impedance: 600 Ω
• Signal to noise ratio: 95 dB (typical)
• Dynamic range: 95 dB (typical)
• Crosstalk: 95 dB, at 1 kHz (typical)

Digital

S/P DIF:

Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz

USB-B: 24-bit, Sample Rate: 48 kHz, 2 channels

Control Inputs

Damper pedal (half damper supported), assignable switch, assignable pedal

MIDI

In, Out, Thru

USB

USB*5

USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)

USB B (TYPE B) x 1, MIDI/audio interface

• MIDI: 1 (16 channel) input / 1 (16 channel) output
• Audio: 2 channel input / 2 channel output

*5 USB high-speed ports (supports 480Mbps)

Disk Drives 120 GB SSD (2.5”)

Spotreba energie 40W

Rozmery (Š x H x V)

• 61 key: 1,064 x 363 x 134 mm
• 73 key: 1,245 x 370 x 148 mm
• 88 key: 1,457 x 370 x 148 mm

Hmotnosť

• 61 key: 14.2 kg
• 73 key: 20.4 kg
• 88 key: 23.4 kg

Dodávané príslušenstvo

Napájací kábel